Julia Gorman lives and works in Naarm/ Melbourne, Australia
Selected Solo Exhibitions
2024
Reflection on Reflection, Shepparton Art Museum
2023
Pattern D, Arthouse, RACV Goldfields Resort, Creswick
2022
Something about something else, Sophie Gannon Gallery
2019
Let things slip, Sophie Gannon Gallery
2018
Screen prints, Negative Press
http://negativepress.com.au/editions/julia-gorman/
2017
Act Casual, Sophie Gannon Gallery
2016
The forties, Inside Out Commission, Museum of Contemporary Art, Sydney
https://www.mca.com.au/stories-and-ideas/julia-gorman-still-dynamic/
2014
Growth Habits, Geelong Gallery, Geelong
https://www.geelonggallery.org.au/channel/meet-julia-gorman-growth-habitsBoundaries, TCB, Melbourne
2007
Tacky Tango, Artspace, Sydney
2006
Half in Half Out, (parts 1 and 2) Uplands Gallery, Melbourne
2003
Sarah Cottier Gallery, Sydney
2001
Sarah Cottier Gallery, Sydney
1997
Tight Corners, 200 Gertrude Street, Melbourne
Selected Group Exhibitions
2024
Melbourne Sculpture Biennale, Villa Alba
2021
Wall drawings, Mornington Peninsula Regional Gallery
Geelong Painting Prize
Bayside Acquisitive Art Prize
2020
Drawing on the wall, Deakin Art Gallery
2018
Bayside Acquisitive Art Prize
Material Feeling, Megalo Print Studio, Canberra
2017
Bayside Acquisitive Art Prize
Every Brilliant Eye, National Gallery of Victoria
Geelong Painting Prize
MCA Artbar (curator)
Princesse de Broglie, Caves
2016
Bilder Bilder, Neon Parc
2013
Like Mike, Utopian Slumps
Melbourne Now, NGV Australia
2011
Colour Bazaar, Heide Museum of Modern Art
ASspen Island, Neon Parc
2010
Spill, Arc One Gallery
2008
Flash, Linden Centre for Contemporary Arts
2007
Relentless Optimism, Carlton Hotel, Melbourne
2006
The New Silhouette (2 person show with Emily Floyd), IMA Brisbane
Against the Amnesiac Lifestyle Showroom, Gertrude Contemporary
2005
Wallpower, Art Gallery of Western Australia
2003
This Was The Future, Heide Museum of Art
Fair Game, National Gallery of Victoria
The Future in Every Direction, The Joan Clemenger Collection,
National Gallery of Victoria
2001
Rubik, Sarah Cottier Gallery
2000
Octopus, 200 Gertrude Street
2000
Rent, Overgaden Contemporary Art Gallery, Copenhagen, and
Australian Centre for Contemporary Art, Melbourne
Public Art Commissions
2020 Opening Lines, Malcolm Graham Pavilion, Burnley, City of Yarra
https://www.yarracity.vic.gov.au/events/2020/05/22/opening-lines-by-julia-gorman
https://www.youtube.com/watch?v=iHJYIllvz-M2017 Organic Vibrations, The MCA Commission for VIVID, Sydney
https://www.youtube.com/watch?v=L1XhNhRmnBs2012 Faces, Kensington Housing Estate, City of Melbourne
http://citycollection.melbourne.vic.gov.au/faces/2005
Over and Over, Becton Sculpture Commission, St Kilda
Collections
Australian Catholic University
City of Yarra
Epworth Hospital
Geelong Gallery
Monash University
Monash University Museum of Art
National Gallery of Victoria
Multiplex
Residencies
2020-21 Billilla House, City of Bayside, Brighton
2008 Birrarung, Shire of Nillumbik, Laughing Waters, Eltham
2007 Artspace, Sydney
2006-08 Artshouse, Meat Market Art Centre, North Melbourne
1998-99 200 Gertrude Street
Selected Bibliography
McKenzie, Robert, "Read and React!", essay
Grishin, Sasha, “Some exquisite and challenging prints at Megalo”, Canberra Times, 29 October 2018
Plagne, Francis, “Julia Gorman”, Negative Press 013, 2017
http://negativepress.com.au/editions/julia-gorman/
"Creative Sparks", NGV Magazine July 2017 Issue 5
Levere, Jane L., “At Some Museums the Art is Now on the Outside”, New York Times, April 1, 2017
Gluckman, Ron, “Sydney Goes on Vivid Display”, The Wall Street Journal, June 1, 2017
Sharkey, Patrice, "ASsPen Island", review, un magazine 6.1, 2012
Tutton, Sarah, “Pleasures of a Tangled Life, Julia Gorman in Public and
Private”, Eyeline, issue #64, Spring 20
Crawford, Ashley, “Julia Gorman: Half In Half Out”, The Age, July 10, 2006
Green, Charles, “FutureMonster”, article, artext, no. 74, Aug-Oct 2001
Delaney, Max, Octopus catalogue essay, 200 Gertrude Street, July 2000Kent, Rachel, Primavera, catalogue essay, Museum of Contemporary Art, Sydney, Sept 1999
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